The very moment I popped that red CD in my player and heard Mr Brightside play, I was hooked. I played Hot Fuss over and over for almost 2 years. It always managed to cheer me right up, after a long and frustrating day at school or at work, exorcising bad feelings, helping me clear my mind and move on with my day. Hot Fuss was released in 2004 and two years later The Killers released Sam’s Town, which I consider the best album the band has and will ever produce, even though every one at the time of its release trashed it because of how stylistically different it was from the first album. Sam’s Town is the only album I’ve ever enjoyed from beginning to end without skipping a single song. And again, I played it obsessively every chance I got. At that time, I had already moved out of the family home and I finally had cable. Being able to get channels like Much Music and the BBC solidified my attachment for the band, as I was able to watch their very weird but entertaining music videos and live performances (their Royal Albert Hall concert was one their best shows). I mention the BBC because The Killers, though an American band, was never really that popular in North America. In the UK, on the other hand, they are huge and they’ve made countless appearances at the Brit Awards. Mr Brightside spent almost 5 years on UK’s top 100, so that’s something.
In 2008, they released Day & Age. Again, there were great songs I listened to on repeat, like Human, Spaceman and Dustland Fairytale, but that album was the last Killers album I liked. They made 2 more after that, with a bunch of solo projects in between. I gave them all a casual listen and they were all okay, but I quickly came to the conclusion that their best years were probably already behind them. After some time, The Killers were progressively sent at the back of my mind, until this year.
I am writing about them today because their 6th album came out not so long ago. I didn’t want to listen to it at first because I didn’t want to be disappointed again. They had such a great presence during my twenties that I did not want to tarnish the good memories they are linked to. But, curiosity got the better of me and I played Imploding the Mirage. I did not love it at first but I did not hate it either. Something about the melodies made me go back and listen to the songs again. And again. They progressively grew on me and all of a sudden, I realized that I’ve exclusively listened to that album for the past few days. I am writing about The Killers because as I listened to Imploding the Mirage, a wave of nostalgia came over me. It brought me back to simpler times. It made me go back to their first 3 albums and their songs have played on a continuous loop on my IPhone for the past week. And all over again, I became a Killers’ fan as I rekindled with their music.
Are they over the top? Of course they are. The Killers have never been about subtlety and nuance. But they are nonetheless master song writers and their chorus are catchy as hell. Their songs were not written to be played on the radio or on Spotify. Their songs are anthemic, bombastic, grandiose, flamboyant productions meant to be performed in arenas and stadiums.
I cannot pinpoint what exactly made me love this band more than any other. Is it the music? The lead singer, Brandon Flowers’ wide vocal range? The fact that for some reason, they always seem out of place? I don’t know. All I can tell is that their music cheered me up when I was down and kept me upbeat when I am in a good mood. An emotional catharsis, if you will. And in a time like the year 2020 when everything seems to be gone to shit, and we need something to overwhelm the screaming in our heads, why not make it The Killers’ blustering music and Brandon Flowers’ soaring voice?
A short and non comprehensive album by album overview
I will only discuss the albums I liked: Hot Fuss, Sam’s Town, Day & Age and Imploding the Mirage.
Hot Fuss